My review of the novel Middlesex, by Jeffrey Eugenides


This was quite a book. But it has the feel of several books in one. While there was a consistent thread throughout it, it was really several distinct stories. It almost had the feeling that it could have been written as an anthology of stories, each one published at a different time, then later collected into one volume.

The main thread that ties the distinct stories together is the story of a mutated gene. This gene for sexually-ambiguous hermaphradism requires very specific conditions for being expressed, over several generations of a single family, and the story describes the unlikely events that allow this genetic condition to occur.

The story is told through the lens of the Greek immigrant experience, both prior to and long after arriving in America. Since the idea of intersex creatures exist in Greek mythology, the book periodically includes references to these ancient stories. And the story is also about sexual awakening and the trauma of being raised as one gender, but then transforming into the other gender during puberty.

This all creates basically 4 threads that run throughout this book: the story of a gene, the story of Greek immigrants in America, Greek mythology, and a unique experience of sexual self-awareness. The effect is that characters come and go as the story progresses and some are quickly forgotten as we are introduced to the next.

The book opens with an oddly frank description of incest between a brother and sister, which allows these 2 carriers of the same recessive gene to pass it on in a form that will express itself 2 generations later. I was uncomfortable reading this part of the book, as it went into quite a bit of detail. Incest is probably one of the last taboos in modern life, so perhaps the author was trying to transcend this final moral boundary.

The story covers a lot of ground, describing the war between Greece and Turkey in the 1920's, various atrocities of the time, the consummation of the brother and sister's relationship, their arrival in Detroit, a lesbian cousin who accepts their arrangement, and the constant sense of guilt experienced by the main female character.

I found this lesbian cousin interesting, creating almost a contrast to the basic idea of the book. There are people who identify sexually with their own gender, but this book is about a person that transforms from one gender into the other. I assume this lesbian cousin was in the story to highlight this distinction. I think that lesbians are accepted by a larger percentage of the population than the idea of being trans-gender. We can understand same-sex inclinations, but how many people understand full sexual transformation from one gender perspective to the other?

The story spends a lot of time in Detroit, and tells the story of this city's rise during the boom of the auto industry to it's later decline in the 1970's, but with a sense of sentimentality towards the city, even when describing it's criminal elements. I learned that the author is from Detroit, which explains his often heart-felt descriptions of life there.

My only real criticism of the book is that it occasionally slips into overly-flowery language. Perhaps the author was trying to be poetic, but at times he uses expressions that sound like he had a thesaurus open in front of him, when he could have described something more simply. But this is a minor complaint, more of a style observation.

The book is almost two-thirds finished before we meet the main character, who is born a girl but later develops into a man during her teenage years. We pass through several very detailed stories as the gene slowly makes it's trek through the generations before it is finally expressed, and I had half-forgotten some of the book's earlier characters by the time we finally enter into the story of this transformation.

The oddest part of the book is near the end, when the character spends time in San Francisco, working as a sex-worker, in a peep-show industry, displaying her unique sexual physiology to paying customers. This was similar to the book's beginning, in describing unusual peripheral forms of sexual experience. But again, perhaps this was one of the book's purposes.

I approached the book from a personal curiosity about the unique perspective of people who occupy the fuzzy middle-ground between traditional sexuality. People who are either bisexual or hermaphrodites or trans-gender have the unique ability to experience both sides of the sexual spectrum.

Sexual identity is such a basic fabric of people's experience of life, yet it is something that most people approach from un-analyzed instinct, rather than approaching it as something that can be learned like a skill or an art, something that can evolve. I feel a very strong sense of my own perspective from my side of the sexual spectrum, but I think I can only improve my experience and awareness by learning about other perspectives.

I would describe this book as being primarily about the Greek immigrant experience, but with a parallel thread woven through it that tells a story about sexual transformation, and how this is experienced during teenage sexual awakening. Both of these parts of the book are reasons enough to read this book, and to recommend it.

But I was left wondering how many people are actually like this. Hermaphradism is the most common form of sexuality in the plant-kingdom, so I imagine that someone who has experienced this in their own life could actually feel a sense of superior sexuality, almost a sense of being more evolved than the rest of us in the traditional sexually polarized world. Or is this pure fiction?

As a side note, I liked the periodic return to the present tense, as the author is living in present-day Berlin. He describes streets and neighborhoods that I have spent a lot of time in myself. So at least these parts of tbd book are factual....!

I give the book 4 out of 5 stars.